'That Cold Dead Look In Your Eyes': An Ambitious Misfire [Review]

Alternative Skins and Parallel Lives in the Films of Isabel Sandoval

10 Essential Queer Crime Films

'Sequin in a Blue Room': Down the Rabbit Hole of Anonymous Sex in the Age of Grindr [Review]

Jenni Olson and Desire in the Gay Golden State

The Best & Worst of LGBTQ+ Representation at SXSW

The Academy Almost Entirely Shuts Out LGBTQ+ Cinema from the "Most Diverse Oscars" So Far

Two Oscar-Worthy Performances Amp Up 'I Care a Lot' [Review]

‘Falling’: Slurs Don’t Make for a Good Gay Movie [Review]

'Hard Candy,' 'An American Crime,' & Gender Performance in Elliot Page's Early Filmography

The Lengths We Go to for Love: On the Ending of ‘Promising Young Woman’ [Spoilers Ahead]

10 Queer Horror Movies to Check Out

Homoeroticism in Yousry Nasrallah’s Cinema

'The Prom': A Celebration of Youth and Acceptance [Review]

Is ‘This is Paris’ a Queer Femme Text?

Shakina Nayfack on Giving Voice to 'Tokyo Godfathers'’ Trans Heroine

‘Happiest Season’: Heteronormativity Be Damned [Review]

Supporting Queer Art in Quarantine: An Interview with Shaina Rose Woolley

'Ema': Mariana Di Girolamo Dazzles, Initiates Bi Anarchy [Review]

Ryan Murphy's Hollywood Babylon