‘Falling’: Slurs Don’t Make for a Good Gay Movie [Review]

'Hard Candy,' 'An American Crime,' & Gender Performance in Elliot Page's Early Filmography

The Lengths We Go to for Love: On the Ending of ‘Promising Young Woman’ [Spoilers Ahead]

10 Queer Horror Movies to Check Out

Homoeroticism in Yousry Nasrallah’s Cinema

'The Prom' – A Celebration of Youth and Acceptance [Review]

Is ‘This is Paris’ a Queer Femme Text?

Shakina Nayfack on Giving Voice to 'Tokyo Godfathers'’ Trans Heroine

‘Happiest Season’: Heteronormativity Be Damned [Review]

Supporting Queer Art in Quarantine: An Interview with Shaina Rose Woolley

'Ema': Mariana Di Girolamo Dazzles, Initiates Bi Anarchy [Review]

Ryan Murphy's Hollywood Babylon

'A Secret Love': A Tender Proclamation in the Face of Queer Erasure [Review]

Queer and Trans Films Take the Top Prizes at Tribeca

'Dare Me' is the Queer Drama You’re Looking For [Review]

eXistenZ, Videodrome, and the Panic of Penetration

Normalizing Queer Identities in Birds of Prey

The 20 Best LGBTQ+ Films of the 2010s