“Oscar noms got you down? Good thing we don’t care about that shit over here,” reads a tweet by Annie Rose Malamet, self-proclaimed...

After certain film festivals, Sundance in particular, it's common for press and industry guests to try to condense all of the extremely...

“I’m drawn to women with secrets,” states Isabel Sandoval in her recent Criterion Channel interview, singling out a defining trait that...

In Jenni Olson’s short film Blue Diary (1998), a scant five minutes is enough to tell a small queer tragedy. With a wry monotone, the...

In the mid-aughts, Elliot Page starred in two quietly-released crime dramas, David Slade’s Hard Candy (2005) and Tommy O’Haver’s An...

In defense of Promising Young Woman's controversial ending, Cyrus Cohen contemplates the catharsis of realistic representations of rape.

In this essay, Jaylan Salah dissects in the queer subtext present throughout the filmography of one of Egypt's most celebrated auteurs.

I. “How many real voices do I have?”: Queer Femme Performativity II. “Me, Nancy Reagan, my Parents”: Queer Femme Familial Estrangement...

How Ryan Murphy's dreamy movieland tale, and interest in telling the stories of the marginalized, is nothing but an illusion.

How David Cronenberg politicized the post-modern cyborg through sex.

The nuances of Renee Montoya in Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn).